少，李惠月写经作为现存元代最早的金银泥写经，有明确的年款和发愿人，书写端严，扉画精美绝伦，是一件极为珍贵的佛教艺术品。
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"瓷青纸泥金银写绘
div经用瓷青纸泥金银写绘，经折装一册。开卷即见扉画，所绘内容为华严经变“善财五十三参”，其左侧榜题““第四十四参遍友童子”，右侧榜题“第四十五众艺童子”，画面边框用银线勾勒，配以法器纹饰以显尊贵；其中人物庭院、庙宇楼阁等实景均用金丝描绘；佛光楼影、山峦云雾等虚景则用银线衬托，使画面金银交错，熠熠生辉、层次分明、繁缛有致，画风典雅华丽，线条细密流畅。
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div此《大方广佛华严经》金银施彩，配以古朴而深邃的瓷青纸，使字迹星芒明烁。金字耀目夺炫、银字萤灿幽素，犹如日月同辉，整篇章法布局上疏朗大方，气韵贯通，字体端庄秀丽，一丝不苟，银光烨烨，与金字交相辉映，犹如日月同辉。
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"折起来是这样的，不是卷起来的
div李惠月写经，几乎为存世孤本，仅有零卷传存，也是元代最早的金银字写经，故皆为藏家珍重。小鬼子京都国立博物馆存七十一至七十三以及普严行愿品，著名汉学家神田喜一郎曾专门撰文，后世拍卖会上，也仅仅出现过四次，分别是七十五卷、七十八卷、八十卷，每次最少起拍都是几百万，甚至有一次拍卖超过了两千万。
陈阳一本本看了过去，这类就属于书籍善本了，老爷子所存的这些书籍善本，几乎都是真品，只有几本，陈阳认为应该是清末时期抄写的，并不是当代的。在这里，陈阳发现了一套宋刻《通鉴纪事本末四十